reader
p r o f e s s o r · w r i t e r · c a r t o m a n c e r
Read like the Devil
cartomancy
New courses added to the archive
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New courses added to the archive |
the word is out
“Come be seduced by a real life Bond villain with her magical direwolf and invisible henchman. Camelia Elias trains her minions of tarot assassins with tough love and arms them with glowing red pitchforks, samurai swords and emptied minds that penetrate the unseen. Go see Camelia, if you dare and be damned to read your cards like the Devil for all eternity… The only thing to fear is missing a class signup deadline. I went from zero to competence in five weeks. Marseille Tarot without tears.”
– Jeff Silverstein, film and broadcasting
aradia academy
The ‘Read like the Devil’ school
Under the signature Read Like the Devil we offer foundation level and advanced courses in practices of divination, divination techniques, divination philosophy and its cultural history.
We apply martial arts principles to reading techniques, inspired by fencing, Japanese swordsmanship, and calligraphy.
The idea is to see what there’s to see, which is quite a tall order in this day and age of everyone being an expert…
Of notable example are the following courses, now available to the wider public beyond enrolment. The first two here are foundational courses and, and the third is topical:
I make porcelain and ceramics vessels as part of my art project, The Danish Testament, about what we get to inherit both accidentally and intentionally. For over 35 years I’ve been collecting fine, Danish linen and damask table cloths. My idea of repairing some of them is to transform them into calligraphic scrolls that I then accompany with my own hand made porcelain that I make from scratch, mostly on the wheel, in my little studio in Agger, Denmark.
As I’ve also inherited a Leica camera from 1963, I sometimes shoot black and white pictures of my installations and other subjects that I then develop in my darkroom.
Working with both clay and analog photography is a rewarding act, as I get to think about the relation between the objects on our table, the eye that sees in the dark, and how alchemy informs them both.
VESSELS & SCROLLS
